ABSORPTION OF DISPOSITION IN ARCHAIC INDIAN CRAFT AND ITS COMMUNAL PURPOSE
DOI:
https://doi.org/10.37547/history-crjh-02-05-06Keywords:
Prakṛti,, pañca-tattva, disposition, Gaṅgā-Yamunā, Indian workmanshipAbstract
This article attempts to clarify the perspective as contained in the old Indian craftsmanship where disposition and human life are so weaved with one another that they become the fundamental piece of the other and this comprehensiveness gets back the point that they are not totally unrelated as is considered in present day times. Old Indian craftsmanship represents this coordinated methodology and one may discover the absorption of disposition in each structure considered and portrayed in that.
Downloads
References
chaparwal k.c. 1966. Indian Art. Varanasi.
r. swami, g. h. 1996 (republish). Change of Disposition in Art. New Delhi.
Epigraphia Indica (EI). Vol. 7.
das.niranjana 1973. An Approach to Indian Art. Chandigarh.
upkar, j. k. 1994 (reproduce). Select Inscriptions. Vol. I. Delhi.
narayna, krishnmurti 1993. A few Aspects of Indian Culture. New Delhi.
