HISTORY OF UZBEK FOLK INSTRUMENTS

Authors

  • Feruza Kudrat Kizi Rakhmatova Student, Namangan State University, Uzbekistan

DOI:

https://doi.org/10.37547/pedagogics-crjp-02-12-20

Keywords:

Status, genre, song, work, music, sunray, rhythm, form, style, instrument, art

Abstract

The musical instruments reflect the national characteristics, traditions, customs and values of each nation, from which the sound is derived. Performing arts in musical instruments as a means of glorifying the spirituality of mankind is the responsibility of folk art, and from time immemorial has been formed and developed among the masses. The national instruments are constantly being perfected by skilled musicians and are distinguished by their vibrancy, musicality and melody. As musical instruments have become more and more in demand throughout history, so has the attention paid to their educational and pedagogical aspects.

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References

Alimov F. Uzbek Folk Instrument Orchestra. Tashkent, “Music”, 2004.- P.15

Dadamuxamedov A. Rubob prima textbook. Tashkent, 2004. - P.10

Ergashev G. Afghan rubobi textbook. Tashkent, 2004. - P.64

Nurmatov X. Kashgar rubobi. Tashkent, 2003. - P.86

Toirov M., Petrosyants A. Musical instruments – “Nay”. Tashkent, 2002. - P.24

Odilov A., Lutfullaev A. Musical instruments – “Dust”. Tashkent, 2002. - P.5

Qosimov R. Musical instruments – “Ud”. Tashkent, 2002. - P.46

Qosimov R. Traditional tanbur performance. Tashkent, 2002. - P.15

Ikromov I. Circle textbook. Tashkent, 1997. - P.36

Toshmuxamedov M. Gijjak textbook. Tashkent, 1996. - P.77

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Published

2021-12-23

How to Cite

Feruza Kudrat Kizi Rakhmatova. (2021). HISTORY OF UZBEK FOLK INSTRUMENTS. Current Research Journal of Pedagogics, 2(12), 98–105. https://doi.org/10.37547/pedagogics-crjp-02-12-20

Issue

Vol. 2 No. 12 (2021): Volume02 Issue12

Section

Articles

License

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