Articles | Open Access | https://doi.org/10.37547/pedagogics-crjp-02-12-20

HISTORY OF UZBEK FOLK INSTRUMENTS

Feruza Kudrat Kizi Rakhmatova , Student, Namangan State University, Uzbekistan

Abstract

The musical instruments reflect the national characteristics, traditions, customs and values of each nation, from which the sound is derived. Performing arts in musical instruments as a means of glorifying the spirituality of mankind is the responsibility of folk art, and from time immemorial has been formed and developed among the masses. The national instruments are constantly being perfected by skilled musicians and are distinguished by their vibrancy, musicality and melody. As musical instruments have become more and more in demand throughout history, so has the attention paid to their educational and pedagogical aspects.

Keywords

Status, genre, song, work, music, sunray, rhythm, form, style, instrument, art

References

Alimov F. Uzbek Folk Instrument Orchestra. Tashkent, “Music”, 2004.- P.15

Dadamuxamedov A. Rubob prima textbook. Tashkent, 2004. - P.10

Ergashev G. Afghan rubobi textbook. Tashkent, 2004. - P.64

Nurmatov X. Kashgar rubobi. Tashkent, 2003. - P.86

Toirov M., Petrosyants A. Musical instruments – “Nay”. Tashkent, 2002. - P.24

Odilov A., Lutfullaev A. Musical instruments – “Dust”. Tashkent, 2002. - P.5

Qosimov R. Musical instruments – “Ud”. Tashkent, 2002. - P.46

Qosimov R. Traditional tanbur performance. Tashkent, 2002. - P.15

Ikromov I. Circle textbook. Tashkent, 1997. - P.36

Toshmuxamedov M. Gijjak textbook. Tashkent, 1996. - P.77

Article Statistics

Downloads

Download data is not yet available.

Copyright License

Download Citations

How to Cite

Feruza Kudrat Kizi Rakhmatova. (2021). HISTORY OF UZBEK FOLK INSTRUMENTS. Current Research Journal of Pedagogics, 2(12), 98–105. https://doi.org/10.37547/pedagogics-crjp-02-12-20